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Conducting Basics II - Preparations & Releases
Start Here!
Welcome & How to Use This Course
Ensemble Issues Index
Conductor Issues Index
Acknowledgements
Starting the Sound - Part 1: The Breath
Connecting Your Breath to Your Gesture - Preparing the Sound (7:30)
The Double Prep - Application & Avoidance (4:27)
Stopping the Sound - Part 1: Releases
Releases - Ways to Enter Silence (3:39)
Starting the Sound - Part 2: Starting in Different Parts of the Bar
General Principles of Starting on Different Beats (2:07)
In 2/4, 3/4, 4/4 and 5/4 (3:06)
In Compound and Irregular Meters (2:54)
Multiple Preparatory Gestures - When & How (2:34)
Stopping the Sound - Part 2: Fermatas and Transitions
The three types of fermatas (3:35)
Complex Transitions (2:10)
General Principles of Starting on Different Beats
In this lecture you'll learn:
The
general principle
for starting on any beat in the bar
How to find where to start
from in the pattern
How to find where to breathe
and give
General Principle for Starting on Other Beats
We need to breathe one beat before the sound starts
We need to find the place where our gesture starts so we can breathe to prepare the sound
How to Find Where to Start & Breathe From
Know where the sound is starting (eg. Beat 3 in 4/4)
Move to the ictus point of that beat in your conducting pattern (eg. Beat 3 in 4/4)
Now move 1 beat before that (to the ictus point of the previous beat) (eg. Beat 2 in 4/4)
Mentally revise where the rebound of that beat happens (opposite direction to the next beat) (eg. Beat 2 rebound goes out to the left)
Starting from where you were in step 3, breathe in on the rebound to prepare the next beat (eg. breathe in on the rebound of 2, to prepare beat 3)
Conduct the next beat (where the sound starts)
Complete and Continue
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